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Wysłany: Śro 8:40, 09 Paź 2013 Temat postu: peuterey outlet Part 2 – Mexican Muralism |
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Jose Clemente Orozco had much the same political views [url=http://www.1855sacramento.com/peuterey.php]peuterey outlet[/url] as Siqueiros, but with less [url=http://www.1855sacramento.com/moncler.php]moncler outlet[/url] realism in his painting. His work was much bolder in composition and color, often using themes of human suffering and it appeared he was quite captivated by machinery. Orozco often use symbolism in his work, but the Gothic form deriving from French and Slavic poetry. Many art historians have described Orozco as the most complex of the Three Great Ones. Considering his political views versus the use of dark foreboding tones and bold images, complex does not [url=http://www.1855sacramento.com/peuterey.php]peuterey[/url] seem to [url=http://www.rtnagel.com/airjordan.php]nike air jordan pas cher[/url] begin describing Orozco.
Diego Rivera, along with Jose Orozco and David Siqueiros, was deemed part of the Three Great Ones. His most important works still adorn walls in the National Palace, such as that depicting the history of Mexico in the main stairwell of the [url=http://www.mxitcms.com/tiffany/]tiffany[/url] palace. The central offices of the Secretariat of Public Education bear works such as The Water Deposit, Pastor with wave and The Tehuantepec Bath. Diego Rivera was not just [url=http://www.gotprintsigns.com/abercrombiepascher/]abercrombie pas cher[/url] a quiet artist, he was in fact an active communist even to the point of harboring Leon Trotsky for a short time before he was assassinated. Rivera’s wife, Frida Kahlo was also a renowned Mexican artist who contributed both artistically and practically.
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Art is often deemed as having no purpose by those who are not so-called ‘art lovers’. In the example of Mexican Muralism we see that this form of art was certainly with purpose. The murals went beyond the narcissistic expression of one person. They were social protest statements, a source of education, an opportunity for hope and inspiration, and most importantly a reminder of historical lessons.
David Siqueiros was the social realist of the Three Great Ones. Unlike Rivera, he was a Stalinist who was part of [url=http://www.rtnagel.com/airjordan.php]jordan pas cher[/url] a failed attempt at assassinating Leon Trotsky while he was staying with Rivera. He, like Rivera and Orozco, was hired by The Secretary of Public Education and commissioned to ‘educate the masses through public art’. Siqueiros took the opportunity and ran with it. His murals were bold statements in Stalinism, the rights of the worker and overcome individualist art. Siqueiros most important work is the “Burial of a Worker” completed in 1923 and is still visible in the stairwell of the Colegio Chico. It depicts aboriginal women mourning over the coffin of an apparently communist worker.
In part one of this series we discussed the elements which brought Mexican muralism to existence. The Mexican Revolution had [url=http://www.mquin.com/saclancel.php]lancel pas cher[/url] just ended and the people were tired, poverty stricken and in need of hope. [url=http://www.mnfruit.com/louboutinpascher.php]louboutin[/url] In an effort to inspire faith in a stable governing body, [url=http://www.moncleroutletosterblade.com]moncler outlet[/url] local authorities began to commission artists [url=http://www.mnfruit.com/doudounemoncler.php]moncler pas cher[/url] to paint murals on the walls of churches, schools, museums and official buildings. The outcome was a nationwide collection of murals with sociopolitical and economic undertones created by artists with a view to incite change. Now let’s take a look at the artists and their works of art.
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